Of the many many hundreds of proposals we've received since 2003 for books in the 33 1/3 series, if I remember correctly only one has offered to tackle its subject in the format of epic verse. And annoyingly I can't remember what the album in question was - but it certainly wasn't Men at Work's 1981 opus, Business as Usual.
There's a poem in the current issue of the New Yorker by Julie Bruck. Here it is, reproduced without permission. (If anyone wants me to remove it, just let me know.)
MEN AT WORK
I said, “Do you speak-a my language?”
He just smiled and gave me a Vegemite sandwich.
—“Down Under.”
We middle-aged sense them immediately:
four brittle pop stars sprawled across
the rigid fibreglass chairs at the airport gate.
It’s not just that they’re Australian, that gorgeous
thunk of English, the stacked electric-guitar cases
draped with black leather jackets, or their deep
tans on this Sunday night in midwinter Toronto
that holds everyone’s attention, drawn as we are,
pale filings to their pull. Even their rail-thin
lassitude attracts us, as it must Doug, the portly
Air Canada gate manager in his personalized jacket,
who arrives to greet the band, cranking hands
and cracking jokes. Doug, who must live in
Mississauga with the wife and a couple of kids,
and who insists the boys come back to play Toronto
next year, when we clutchers of boarding passes
will have abandoned our carry-ons for tickets
to a midsized arena and a resurrected band
whose lyrics never did make sense but
which are laced to a beat that won’t let go—
propelling us down the carpeted ramps
of late-night flights on feeder airlines, hips
back in charge of our strange young bodies,
now shaking down runways in rows.
Is that poem any good? I have absolutely no idea. And could somebody write a poem about Men Without Hats, too?
5 comments:
It's a nice piece of Very Short Prose hopped into poem-esque lines.
Interestingly, a classmate handed in the lyrics of Down Under as his own poem for Eng Lit homework.
The 33.3 series won't be complete until there's a book on Men Without Hats's "Rhythm Of Youth".
The poem about Sting was better:
ON THE INEVITABLE DECLINE INTO MEDIOCRITY OF THE POPULAR MUSICIAN WHO ATTAINS A COMFORTABLE MIDDLE AGE
O Sting, where is thy death?
-David Musgrave
MEN WITHOUT HATS AND THE DIGITAL UNDERGROUND
by Dave Tilton
So The Safety Dance and The Humpty Dance
Were backstage at an MTV revival show
While snares and whiny synths and reverb
Sonically grappled like wrestlers for the short
Attention span of an audience that moved,
Like basking sharks, like bloated ancient Romans,
Gorging themselves en route
To the “click to delete” inevitability of pop.
The Safety Dance asked, “Is it true you once
Got busy in a Burger King bathroom?”
“I’m crazy,” was the reply, “and how can you be
‘S-A-F-E-T-Y’ without hats?”
“We can dance, we can dance, everybody look at your hands.”
“And when the dude a chump pump points a finger like a stump – ”
“Francois!”
“Oh yeah, that’s the break, y’all.”
Dave Tilton is a San Francisco Bay Area musician and writer. His latest CD, Basement Tapestry, is scheduled for release on Newhatrecords in early 2011.
Dave - thank you. That's beautiful.
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